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The Riddles of the Sphinx

Inheriting the Feminist History of the Crossword Puzzle

Audiobook (Includes supplementary content)
1 of 1 copy available
1 of 1 copy available

Combining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen's Gambit, a renowned puzzle creator's compulsively readable memoir and history of the crossword puzzle as an unexpected site of women's work and feminist protest.

The indisputable "queen of crosswords," Anna Shechtman published her first New York Times puzzle at age nineteen, and later, spearheaded the The New Yorker's popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.

In this fascinating work—part memoir, part cultural analysis—she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the "Crossword Craze" of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they've been allowed to fill, and the ways that they've used puzzles to negotiate the constraints and play of desire under patriarchy.

The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.

Supplemental enhancement PDF accompanies the audiobook.

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    • Publisher's Weekly

      Starred review from January 29, 2024
      Shechtman, a crossword compiler for the New York Times and the New Yorker, debuts with a rigorous yet fleet-footed exploration of the crossword puzzle’s feminist legacy. Profiling four women pivotal to the crossword’s evolution—Ruth Hale, Margaret Farrar, Julia Penelope, and Ruth von Phul—Shechtman tracks the crossword from its 1913 invention, through its rising popularity in the 1920s and ’30s, to its eventual widespread adoption by newspapers and magazines. Noting that women were long the primary creators of crosswords, Shechtman explains how the rise of computer technology that transformed the way crossword constructors work has led to the field being taken over in recent decades by men. Pairing this history with a ruminative memoir that chronicles both her love for crossword construction and her youthful struggles with anorexia, Shechtman draws effortlessly on feminist theory and psychoanalysis to ultimately make the astute observation that both her eating disorder and her crossword-constructing habit stem from a need for control—of the body and language. Throughout, Shechtman investigates how gender, race, and politics affect crosswords, though her self-analyzing narrative often pushes back against this line of inquiry (“The question risks a double embarrassment: trivializing the serious stuff of politics or, maybe worse, taking trivialities too seriously”). By turns incisive and roving, this teases out hidden connections and forgotten histories that will enthrall readers.

    • AudioFile Magazine
      Author and narrator Anna Shechtman guides listeners through this combination feminist history of the crossword puzzle and personal memoir. As a young woman struggling with the compulsions of anorexia, Schectman discovered that crafting crossword puzzles distracted her from self-destructive behavior. At 18, she had her first puzzle published in THE NEW YORK TIMES. Schectman lovingly recounts the complicated histories of the forgotten icons of the crossword, such as Margaret Farrar. Shectman cautiously describes her own struggles, performing the passages on her life like someone who is focused on completing her own crossword. She used insightful inflections but occasionally sounds detached from her own history. The result is an audiobook that is deeply thoughtful, and occasionally heartrending. V.B. © AudioFile 2024, Portland, Maine

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  • English

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