In the Spring 2019 issue, several contributors confront symbols weighted by history—antebellum architecture, Confederate monuments, the American flag—and their processing is instructive. As Jennifer Ho writes: “I cannot claim to be an American and only claim the parts I like.”
Plus: a striking art portfolio by Trenton Doyle Hancock, introduced by novelist Maurice Carlos Ruffin. Our 2018-19 Jeff Baskin Fellow, Micah Fields, explores industrial Houston. Mesha Maren on LGBTQ identity in her native West Virginia. And the final installment of Chris Offutt’s column “Cooking with Chris.”
The Oxford American
CONTRIBUTORS
Clash of Symbols
Claiming Dixie?
Four Poems
Willie’s Other Voice
The Camel Experiment
Some People Stay
Flag Code
Oaxaca Wreck
PERFORMING ARTS
WEST VIRGINIA IN TRANSITION • For Kris and me, a ten-year age gap meant radically different experiences as queer youth in our rural county
ENTER THE MOUNDVERSE • TRENTON DOYLE HANCOCK’S ECSTATIC DEVOTION TO RESISTANCE
GUSHER • A PERSONAL PORTRAIT OF OIL-STAINED HOUSTON
A SLENDER WAGE
THE HOUSE OF MYTH • On the architecture of white supremacy
VESSEL OF ANTIQUITY • Influence, invention, and the legacy of Leon Redbone
SALT AND PREPPER