Harry Bosch confronts a villain who's long been in hiding... he's called The Poet.
Former FBI agent Rachel Walling has received the call she's been dreading for four years. The Poet is back. He has not forgotten her. And he has a special present for her.
Harry Bosch is adjusting to life in Las Vegas as a private investigator and a new father. He gets a call, too, from the widow of a friend who died recently, someone who worked on the famous case tracking the killer known as The Poet...
Starred review from April 12, 2004
There's a gravitas to the mystery/thrillers of Michael Connelly, a bedrock commitment to the value of human life and the need for law enforcement pros to defend that value, that sets his work apart and above that of many of his contemporaries. That gravitas is in full force in Connelly's newest, and as nearly always in the work of this talented writer, it supports a dynamite plot, fully flowered characters and a meticulous attention to the details of investigative procedure.
There are also some nifty hooks to this new Connelly: it features his most popular series character, retired L.A. homicide cop Harry Bosch, but it's also a sequel to his first stand-alone, The Poet
(1996), and is only his second novel (along with The Poet
) to be written in both first and third person. The first-person sections are narrated by Bosch, who agrees as a favor to the widow to investigate the death of Bosch's erstwhile colleague and friend Terry McCaleb (of Blood Work
and A Darkness More Than Night
). Bosch's digging brings him into contact with Rachel Walling, the FBI agent heroine of The Poet
, and the third-person narrative concerns mostly her. Though generally presumed dead, the Poet—the serial killer who was a highly placed Fed and Walling's mentor—is alive and killing anew, with, we soon learn, McCaleb among his victims and his sights now set on Walling. The story shuttles between Bosch's California and the Nevada desert, where the Poet has buried his victims to lure Walling.
The suspense is steady throughout but, until a breathtaking climactic chase, arises more from Bosch and Walling's patient and inspired following of clues and dealing with bureaucratic obstacles than from slash-and-dash: an unusually intelligent approach to generating thrills. Connelly is a master and this novel is yet another of his masterpieces. (One-day laydown, May 3)
Forecast:
Connelly should hit #1 with this even without trying, but he and Little, Brown are going all out to support the novel, with plans including a 15-city author tour, a
Today Show appearance and the distribution to media and bookstores of a DVD,
Michael Connelly's Los Angeles, narrated by
CSI star William Petersen. Simultaneous Time Warner Audio and large print edition.
July 5, 2004
Those who are familiar with the audio adaptations of Connelly's books will be delighted to see that Cariou lends his talents to Connelly's latest mystery, which is a sequel to The Poet
(1996). At the center of this engrossing thriller is world-weary, retired L.A. homicide detective Harry Bosch. While investigating the death of ex-FBI profiler Terry McCalab, Bosch begins to suspect that the notorious serial killer The Poet, presumed dead, may be the culprit. As he digs deeper, Bosch meets and eventually joins forces with FBI agent Rachel Walling, who went up against The Poet the first time around. The novel's point of view cuts from Bosch's first-person commentary to the third-person perspectives of Walling and The Poet. Cariou handles these changes with professional ease. He gives Bosch a rough voice, raspy with experience, and provides Walling with a younger, but no less tough, intonation. Cariou's vocal dexterity becomes truly apparent, however, when he reads Connelly's descriptive passages. Whether he is illuminating a grisly crime scene, a rainstorm pummeling a Los Angeles freeway or a soft moment between Bosch and his young daughter, Cariou perfectly captures the subtleties of Connelly's tightly written prose. Simultaneous release with the Little, Brown hardcover (Forecasts, Apr. 12).