Sweetbitter

Starred review from December 7, 2015
This debut is a quintessential coming-of-age story set in a remorseless, unusual city. Time and place are superbly established: the setting is the behind-the-scenes milieu of a celebrated restaurant in 2006 Manhattan. Propelled by “unbridled, unfocused desire” but still essentially naive, 22-year-old Tess has fled an empty life in the Midwest and landed a coveted job as a server in a restaurant that strongly resembles the famous Union Square Café. At first crushingly lonely and exhausted by the arduous routine, Tess is mentored by longtime senior server Simone. Despite warnings to avoid falling for bartender Jake, and willfully blind to the strange relationship between Jake and Simone, Tess begins a passionate affair with him. Meanwhile, she becomes an accepted member of a select society of overworked, terminally tense and bone-tired wait staff. Danler writes about food with sensory gusto as Tess learns how to distinguish the fine points of every wine, how to identify an heirloom tomato or oyster, how to shave a truffle. Tess also learns how to get seriously drunk and snort lines of coke. Early on, she defines the foods and condiments that are sweet and those that are bitter—and her relationships with Simone and Jake are ultimately just that: a sweet time of consummate happiness followed by bitter betrayal. Throughout, Danler evokes Tess’s voice—intimate, confiding, wonderstruck, depressed—with deft skill. This novel is a treat, sure to find a big following.

July 25, 2016
With her breathless, raspy voice, reader McKenna embodies the sheer physical sensuality of Danler’s foodie novel; with her youthful sound and tendency to inflect the ends of sentences as though they were questions, she catches the generational zeitgeist of the novel’s protagonist, Tess, who’s fresh out of college and trying to make it as a server in one of New York’s trendiest restaurants. McKenna’s performance ably captures the chaos of the kitchen, ruled by a terrifying chef who bellows “Pick up!” and proclaims the church-like sanctity of his domain. McKenna succeeds at breathing life into book’s main character, who captivates with humor and sensitivity. It all falls flat, however, in her voicing of the other characters, who sound mostly the same except for those who McKenna voices with poorly executed foreign or regional accents, such as the on-again, off-again Slavic cadence of Sasha, a Russian employee of the restaurant. These missteps make the listening experience uneven enough to be distracting. A Knopf hardcover.