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Sons of Mississippi

A Story of Race and Its Legacy

ebook
1 of 1 copy available
1 of 1 copy available
They stand as unselfconscious as if the photograph were being taken at a church picnic and not during one of the pitched battles of the civil rights struggle. None of them knows that the image will appear in Life magazine or that it will become an icon of its era. The year is 1962, and these seven white Mississippi lawmen have gathered to stop James Meredith from integrating the University of Mississippi. One of them is swinging a billy club. 
More than thirty years later, award-winning journalist and author Paul Hendrickson sets out to discover who these men were, what happened to them after the photograph was taken, and how racist attitudes shaped the way they lived their lives. But his ultimate focus is on their children and grandchildren, and how the prejudice bequeathed by the fathers was transformed, or remained untouched, in the sons. Sons of Mississippi is a scalding yet redemptive work of social history, a book of eloquence and subtlely that tracks the movement of racism across three generations and bears witness to its ravages among both black and white Americans.
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    • Publisher's Weekly

      Starred review from February 10, 2003
      "Nothing is ever escaped," is the woeful reminder Hendrickson imparts in this magisterial group biography-cum-social history, a powerful, unsettling, and beautifully told account of Mississippi's still painful past. Hendrickson, author of the searching Robert McNamara chronicle The Living and the Dead
      (an NBA finalist), sets out to profile seven Mississippi sheriffs photographed while one of their number postures with a billy club just before the 1962 riots against the integration of the University of Mississippi at Oxford ("Ole Miss"). The picture, shot by freelance photographer Charlie Moore, was published in Life
      magazine soon after, and it captured Hendrickson's imagination when he came upon it decades later. Chapter by chapter, Hendrickson reconstructs the everyday existences of the seven sheriffs, concentrating on the time of the photo, but taking his subjects through to their deaths. None are now living, but Hendrickson interviewed former Natchez sheriff John Ed Cothram in the early '90s, and the Cothram chapters comprise a paradigmatically subtle and eerie portrait of the intelligence and banality of evil, and how it destroys individuals. The number of telling quotes, interviews with friends and family, primary and secondary sources, allusions to art and history, and gut reactions Hendrickson offers are what really make the book. He begins with a wrenching retelling of the Emmett Till lynching—seven years before James Meredith fought for and finally won admission to Ole Miss, a bloody story Hendrickson also recounts (in addition to a fascinating recent interview with Meredith himself). The book's final third tries to get at the legacy of Mississippi's particular brand of segregation—the whites and blacks Hendrickson interviews throughout articulate it masterfully—by profiling the children of the men in the photo and of Meredith, with sad and inconclusive results. While Hendrickson can be intrusive in telling readers how to interpret his subjects, he repeatedly comes up with electric interview material, and deftly places these men within the defining events of their times, when "a 100-year-old way of life was cracking beneath them." (Mar. 24)Forecast:Fallout from Trent Lott's remarks have refocused national attention on Mississippi, evidenced by a spate of recent
      New York Times articles on the state of the State. This hybrid "whiteness studies" style analysis offers some answers to the "whys" of Lott's remarks, and its 50,000 copy first printing anticipates a stint on the bestseller list, and major award nominations.

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Languages

  • English

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