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1914

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
Five Frenchmen go off to war, two of them leaving behind a certain young woman who longs for their return. But the main character in 1914 is the Great War itself. Jean Echenoz, the multi-award-winning French literary magician whose work has been compared to Joseph Conrad and Lawrence Sterne, has brought that deathtrap back to life, leading us gently from a balmy summer day deep into the insatiable—and still unthinkable—carnage of trench warfare.
With the delicacy of a miniaturist and with irony both witty and clear-eyed, the author offers us an intimate epic with the atmosphere of a classic movie: in the panorama of a clear blue sky, a biplane spirals suddenly into the ground; a tardy piece of shrapnel shears the top off a man's head as if it were a soft-boiled egg; we dawdle dreamily in a spring-scented clearing with a lonely shell-shocked soldier strolling innocently to a firing squad ready to shoot him for desertion.
But ultimately, the grace notes of humanity in 1914 rise above the terrors of war in this beautifully crafted tale that Echenoz tells with discretion, precision, and love.
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    • Kirkus

      October 1, 2013
      Four young Frenchmen confront the grim reality of trench warfare in a spare, elliptical novel from Goncourt-winner Echenoz (Lightning, 2011, etc.). We see just what they are leaving behind in the idyllic scene that opens the book, as Anthime bicycles in the hills of the Vendee region, pausing to view a panorama of pastures and villages under the August sun. Then the church bells begin ringing, and he returns to the town square to learn that war has been declared. "It won't last longer than two weeks," says his intimidating brother Charles, but of course, readers know better. We follow Anthime and his pals Padioleau, Bossis and Arcenel to the barracks (where arrogant Charles commandeers the best-fitting uniform) and on parade past cheering citizens. They include Blanche, whose family runs the factory where Anthime and Charles work; both brothers are in love with her, but she prefers Charles. It's a nasty twist of fate that Blanche's successful attempt to get Charles transferred away from danger in the infantry results in his death in a plane crash, leaving her to bear his child alone and unmarried in January. Bogged down in the trench line that "had suddenly congealed...from Switzerland to the North Sea," Anthime is congratulated by his comrades on losing his arm to a piece of shrapnel; it's a "good wound" that will extricate him from the senseless bloodshed Echenoz matter-of-factly describes. His companions fare less well: Bossis is gruesomely killed, Arcenel shot for desertion and Padioleau is blinded by gas. As the author himself remarks, "[a]ll this has been described a thousand times," and Echenoz doesn't offer anything new in the way of character or insight to justify his retelling, though his restrained, elegant prose (nicely translated by Coverdale) remains a pleasure. A readable fictional introduction to the Great War for those who know nothing about it but inessential for anyone who's read Ernest Hemingway or John Roderigo Dos Passos.

      COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      November 1, 2013

      Celebrated French author Echenoz (Ravel; Lightning) turns his attention to World War I in this short novel about two brothers who go to war and the woman they leave behind. Young Anthime has previously only existed in the shadow of his charismatic older brother Charles, but the losses he sustains in the war permanently change how he views both himself and the life he's led. Meanwhile, Blanche, the woman both brothers love, waits to discover whether either will be coming home to her. VERDICT Echenoz memorably captures the grotesque facts of life in the trenches in economical prose that combines vivid sensory images with moments of biting dark humor. The book's primary power lies not in its plot or its characters but in the skill with which the author transports the reader to the front lines in scenes mixing a wry, conversational narrative style with meticulously described details: the precise weight of a knapsack, the deafening sound of shells overhead, the inescapable stench of rotting corpses. A short but immersive read.

      Copyright 2013 Library Journal, LLC Used with permission.

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