The Bees

February 24, 2014
Dystopia meets the Discovery Channel in this audacious debut novel. Flora 717, a bee born to the lowest social strata at the orchard hive, is different than her kin. Her uncommon earnestness and skill lead her to various jobs—from child rearing to food gathering—and earn her the respect and admiration of her peers. But Flora’s advances also expose her to the hive’s questionable social order and attract negative attention from the elite group of bees closest to the queen. Like Animal Farm for the Hunger Games generation, Paull’s book features characters who are both anthropomorphized and not—insects scientifically programmed to “Accept, Obey and Serve,” but who also find themselves capable of questioning that programming. The result is at times comic—picture bees having an argument—but made less so by the all-too-real violent stakes involved in maintaining beehive status quo (sacrifices, massacres, the tearing of bee heads from bee bodies). Dystopian fiction so often highlights the human capacity for authoritarianism, but Paull investigates bees’ reliance on it: what is a hivemind, after all, if not evolutionarily beneficial thought control? And while Flora 717 may not be the next Katniss Everdeen, she symbolizes the power that knowledge has to engender change, even in nature.