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Rachel Carson and the Power of Queer Love

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1 of 1 copy available
1 of 1 copy available

How Silent Spring stands as a monument to a unique, loving relationship between Rachel Carson and Dorothy Freeman, and how such love underpins a new environmental politics

After the success of her first bestseller, The Sea Around Us, Rachel Carson settled in Southport, Maine. The married couple Dorothy and Stanley Freeman had a cottage nearby, and the trio quickly became friends. Their extensive and evocative correspondence shows that Dorothy and Rachel did something more: they fell in love.

In this moving new book, Lida Maxwell explores their letters to reveal how Carson's masterpiece, Silent Spring, grew from the love these women shared for their wild surroundings and, vitally and increasingly, for each other. Carson had already demonstrated a profound environmental awareness by the time she purchased her home in Maine; Maxwell proposes that it took her love for Dorothy to open up a more powerful space for critique. As their love unsettled their heteronormative ideas of bourgeois life, it enabled Carson to develop an increasingly critical view of capitalism and its effects on nonhuman nature and human lives alike, and it was this evolution that made the advocacy of Silent Spring possible.

In Rachel Carson and the Power of Queer Love, Silent Spring's exposé of the dangerous and loveless exhaustion of nature for capitalism's ends is set in bold relief against the lovers' correspondence, in which we see the path toward a more loving use of nature and a transformative political desire that, Maxwell argues, should inform our approach to contemporary environmental crises.

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    • Library Journal

      December 1, 2024

      Maxwell (political science and women's, gender, and sexuality studies, Boston Univ.; Insurgent Truth: Chelsea Manning and the Politics of Outsider Truth-Telling) presents a compelling argument about noted environmentalist Rachel Carson's romantic love for her friend and neighbor Dorothy Freeman and its influence on her masterpiece Silent Spring. Maxwell examines the letters between Carson and Freeman and places their love in conversation with other queer, anti-racist, and environmental theorists. The book argues that Carson's queer relationship was fundamentally anti-capitalist and deeply influenced Carson's desire and ability to craft Silent Spring into the political phenomenon that it became. It further offers a moving argument for the ways in which queer relationships embody opposition to the modern capitalist heteronormative ideal, while centering Carson and Freeman's intimate letters as its premier example. VERDICT Drawing on both primary sources and academic theory, Maxwell makes a compelling argument that is both relevant and moving. This book will appeal most to advanced readers and researchers interested either in Carson's life and work or the interplay between queer and environmental theory.--Lydia Fletcher

      Copyright 2024 Library Journal, LLC Used with permission.

    • Kirkus

      December 1, 2024
      The noted environmentalist was inspired by a love affair. Maxwell, professor of political science and women's, gender, and sexuality studies, offers a celebration of queer love and a critique of heteronormativity through her examination of the intimate friendship between Carson (1907-1964) and Dorothy Freeman (1898-1978). The two met in 1953, when Carson built a house neighboring that of Freeman and her husband in Southport, Maine; their immediate emotional bond deepened through the years. Maxwell describes the friendship as "queer" because it "drew them out of conventional forms of marriage and family"; furthermore, she asserts repeatedly, the relationship changed Carson, whose writing "became more vibrant, passionate, and urgent after she fell in love," empowering her to writeSilent Spring (1962), her expos� of the deleterious effects of the unregulated use of pesticides and insecticides on human and nonhuman life. As Maxwell sees it, failure by biographers to account for the friendship's significance in Carson's writing of that book "reinforces the ideology of what I call 'straight love.'" The affair, Maxwell argues, shifted Carson's perspective on nonhuman nature, fueling her desire "to sustain the vibrant multispecies world that helped create their love." Although Carson had established herself as an acclaimed nature writer beforeSilent Spring, still Maxwell asks, "Would Carson ever have realized that nature is a source of 'wonder, ' if she had not met Freeman, and scripted their love, with her, as a source of wonder?" Setting Carson and Freeman's love in the context of her own queer relationship, Maxwell encourages everyone to "become more attuned to their queer feelings, what those feelings might teach them about themselves," and "what politics they might want to engage in." Reading Carson and Freeman's letters, Maxwell declares, have taught her that "queer love can change the world." An impassioned analysis, at times overly insistent.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

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