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1 of 1 copy available
1 of 1 copy available

2007 Audie® Award Winner - Mystery

In 1995, Marie Gesto disappeared after walking out of a supermarket in Hollywood. Harry Bosch worked the case but couldn’t crack it, and the 22-year-old woman never turned up, dead or alive. Now Bosch is in the Open-Unsolved Unit, where he still keeps the Gesto file on his desk, when he gets a call from the DA. A man accused of two heinous killings is willing to come clean about other murders, including the killing of Marie Gesto. Bosch must take Raynard Waits’s confession and get close to the man he has sought—and hated—for eleven years.

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    • AudioFile Magazine
      LAPD Detective Bosch confronts inner demons, childhood memories, police corruption, and a serial killer who may be connected to a cold case that has haunted him for thirteen years. Bosch's knowledge of the Echo Park neighborhood of Los Angeles is key to finding the killer. Len Cariou's pitch- perfect performance is understated yet expressive. His tone, pacing, and characterization capture the inner turmoil of the detective and the grittiness of the corrupt environment in which he operates. The abridgment never seems choppy or incomplete. And those new to the series will be drawn in without missing a beat. Connelly writes a compelling story with a strong sense of place, and Cariou delivers it with style. E.S. (c) AudioFile 2007, Portland, Maine
    • Publisher's Weekly

      January 29, 2007
      No matter how much critics and readers love him, Connelly's Harry Bosch is definitely a downer. To catch the spirit of the popular series without sending listeners leaping out of their windows requires an unusually talented reader, who can take the tiny shreds of light the author sprinkles very sparingly through his dark and bloody outings and turn them into veritable bonfires. Fortunately, Cariou is a veteran of four previous Bosch audios who knows his man down to his obsessive socks. Cariou can also do Connelly's normal, only semidepressed supporting characters with grace and depth: Harry's female partner, other cops with mixed motives, crooked lawyers, on-the-make politicians, even a convicted serial killer trying to escape the death penalty by reopening one of Bosch's old wounds. Cariou, of course, can't remove Harry's guilt or ease his obsessions: he's an actor, not a therapist. But his talent adds a Prozac-like sense of ease not to be taken lightly. Simultaneous release with the Little, Brown hardcover (Reviews, Sept. 4).

    • Publisher's Weekly

      September 4, 2006
      Bestseller Connelly's compelling 12th Harry Bosch novel (after 2005's The Closers
      ) offers some new wrinkles on a familiar theme—the aging detective haunted by the one who got away. In Bosch's case, the elusive quarry is the man who abducted a 22-year-old equestrian, Marie Gesto, in 1993. Having returned to active duty as a member of the LAPD Open-Unsolved Unit, Bosch repeatedly pulls the file to see if he can discover something new and give some small solace to the victim's parents. When a chance police stop of a suspicious vehicle nets serial killer Raynard Waits, who's carrying body parts in his van, Bosch assesses the murderer's claim that he was responsible for killing Gesto, too. The weary and cynical detective soon suspects that Waits is trying to barter information for a reduced sentence of life imprisonment. Political motivations connected with the upcoming DA election also cloud the investigation. Smooth prose and plausible characters—even the secondary figures—elevate this several notches above the standard cop vs. serial-killer thriller. Author tour.

    • AudioFile Magazine
      In his twelfth Harry Bosch mystery, Michael Connelly crafts a deeply disturbing look into the dark souls of serial killers. Harry is out of retirement, working the LAPD Open-Unsolved Unit. One cold case in particular gives Harry nightmares--the disappearance of Marie Gesto in 1993. Harry and his then partner, Jerry Edgar, failed to follow up on a lead, and now, thirteen years later, new evidence about the case appears. Len Cariou narrates with quiet certainty. He develops the flawed, complex Harry subtly, leaving no doubt about Harry's obsessive nature or his sense of guilt over the case. Connelly's writing offers no-nonsense plots, tightly compressed descriptions, and crisp dialogue, and Cariou keeps it all low-key, understated, and effective. S.J.H. (c) AudioFile 2007, Portland, Maine

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