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Ingrained

An uplifting and passionate memoir about woodworking and craftsmanship

ebook
1 of 1 copy available
1 of 1 copy available

The perfect book for anyone who has ever whittled something out of wood or dreamt about doing so. Longlisted for the 2025 Carnegie Prize for Excellence.
A New Yorker 'BEST BOOK OF 2024' : This memoir honors not just the art of carpentry but the passion of labor itself ...a call for all of us, whatever we do, to do it with passion and care.
'A gem of a book ... a hymn to family and living a life you love.' DAILY MAIL
'A debut that's both a paean to the art of woodworking and a memoir about creative endeavours' OBSERVER
'Mesmeric' SPECTATOR
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'Consistently lovely' NEW YORKER
'Robinson's prose is humorous and macho, taking its lead from the gruff, sensual delivery of food writer Anthony Bourdain... But wood, in all its facets, remains at the heart of his writing.' FINANCIAL TIMES
'A beautifully cut and crafted masterpiece inlaid with insight and polished with the pure joy of nature.'
CHRIS PACKHAM, author of Fingers in the Sparkle Jar: A Memoir
'Original. Rare. As beautiful as trees... A masterpiece.'
JOHN LEWIS-STEMPEL, author of Meadowland, The Running Hare and The Wood
'A book that is covertly a love poem disguised as a father-and-son story, an apprentice's learning of an exotic craft, a hymn to the eternal mystery of trees, and a tribute to the flat-out joy of gifting. Enchanting.'
BILL BUFORD, author of Heat and Dirt
'A delightful book about the art of craft; a hard-carved woodworking romance written with tenderness and an almost sensual attention to detail. I can smell the resin and the soft, fresh sawdust. I can feel the bite of dense grain beneath the blade. Quite magical.'
CAL FLYN, author of Islands of Abandonment
'Instantly deserves a place among woodworking classics like The Village Carpenter, The Wheelwright's Shop and Woodland Crafts in Britain.'
ROBERT PENN, author of The Man Who Made Things Out of Trees.
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Ingrained is a love letter to trees, timber and craftsmanship – and to finding your own voice.

The eldest son of a Master Woodworker, Callum Robinson spent his childhood surrounded by wood and trees, absorbing craft lessons in his father's workshop, playing amongst the sycamore, oak and Scots pine that bordered his home. In time he became his father's apprentice, helping to create exquisite bespoke objects. But eventually the need to find his own path led him to establish his own workshop; to chase ever bigger and more commercial projects, to business meetings, bright lights and bureaucracy, to lose touch with his roots. Until the devastating loss of one major job threatened to bring it all crashing down. Faced with the end of his business, his team and everything he had worked so hard to build, he was forced to question what mattered most.
In beautifully wrought prose, Callum tells the story of returning to the workshop, and to the wood; to handcrafting furniture for people who will love it, and then pass it on to the next generation – antidotes to a culture where everything seems so easily disposable. As he does so, he brings us closer to nature, and to the physical act of creation. Close enough to smell the sawdust, to see the wood's grain and character and to feel the magic of furniture coming to life. At the same time, we begin to understand how he has been shaped, as both a craftsman and a son.
Blending memoir and nature writing at its finest,...

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    • Publisher's Weekly

      December 16, 2024
      In this reflective debut memoir, Scottish woodworker Robinson recounts the beginnings of his career and details the near-ruin of his bespoke carpentry business. Weaving in vignettes from his 1980s childhood, memories of woodworking with his father, and rapturous passages about his love of the natural world, Robinson covers the daily grind of his craft while meditating on the spiritual implications of creating work that’s likely to outlast him. The narrative hinges on the threat Robinson’s woodworking firm faced after it lost a significant client, recounting how Robinson, his wife, and his employees pivoted to open a furniture store. Much of the book luxuriates in the physical details of Robinson’s craft, but he has more than labor on his mind: in writing about the process of building a chair, for example, then considering how that chair might be used by the people who purchase it, Robinson assigns deep meaning to the careful construction of objects in a fast-paced world that often prizes cheaper alternatives. Robinson’s lyrical prose (“The low winter sun, as much a stranger as we were to the windowless porch, followed us meekly inside”) and dedication to his craft will appeal to artisans and appreciatorss of all stripes. Agent: Rebecca Gradinger, UTA.

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  • OverDrive Read
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  • English

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