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Mozart in Italy

Coming of Age in the Land of Opera

ebook
1 of 1 copy available
1 of 1 copy available

At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there the last when Mozart was seventeen, all vividly recounted here by acclaimed conductor Jane Glover.
Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivalesque birthplace of public opera. All the while Mozart was absorbing Italian culture, language, style and art, and honed his craft. He met the challenge of writing Italian opera for Italian singers and audiences and provoked a variety of responses, from triumph and admiration to intrigue and hostility: in a way, these Italian years can be seen as a microcosm of his whole life.
Evocative, beautifully written and with a profound understanding of eighteenth-century classical music, Mozart in Italy reveals how what he experienced during these Italian journeys changed Mozart – and his music – for ever.

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    • Publisher's Weekly

      April 1, 2024
      Conductor Glover (Handel in London) vividly chronicles a pivotal period in the career of Wolfgang Mozart (1756–1791) against the rich cultural landscape of late-18th-century Italy. A child prodigy, Mozart mastered piano at four and began composing at five. His composer father, Leopold, paraded him and his older sister Nannerl around Europe to perform for the rich and influential. In December 1769, father and teenage son embarked on a 15-month tour of Italy, during which the young musician was mentored by such influential composers as Padre Martini and attended operas that shaped his artistic vision, including Verona’s Ruggiero. He earned his first operatic commission, Mitridate, rè di Ponto, in 1770, and gained entrance to both Bologna’s and Verona’s Accademica Filarmonicas. In 1771, Mozart’s delightful “serenata” Ascanio in Alba for Archduke Ferdinand and Princess Maria Beatrice d’Este’s wedding celebration impressed the royals, but failed to earn him a permanent appointment to the royal court. Propelled by Glover’s clear passion for the subject, the narrative captivates, even if a surfeit of minute travel details sometimes crowds out the bigger-picture analysis of Mozart’s stylistic shifts during these months. Still, classical music fans will be delighted.

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  • English

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